I’ve just started a new Lens Giveaway on www.vintagelensesforvideo.com so make sure that swing over there and enter to be in with the chance of winning a great Helios 135mm f/2.8 prime lens.
A few weeks ago fellow filmmaker on youtube asked me to review something that I’ve been using for a long time but never got around to reviewing, so here is my review of the GINI EXTREME 17 RIG.
When I bought my first Gini rig, they already were really popular with indie/budget filmmakers and since then they have grown considerably, but with the growth prices went up as well, while competitors keep slashing prices to find the their place in this busy market place. But while prices might not be as crazy low as before. Gini rigs are still so much more affordable than rigs by big European and American brands.
EDIT: the Original EXTREME 17 rig that is more or less the one I actually have appears to be $399, which is the same I paid for mine, link below. The reason why I thought the prices went up is because the new ADVANCED version costs $499. If fact they appear to be better value for money, because both now come with a free follow focus, while mine didn't.
So how does it stack up against a lot of other budget brands that came along in recent years? I haven’t used many other big rigs, so I can only talk about my experience; the review is based purely on my own opinion, so judge it accordingly.
When I bought my first Gini rig (not extreme 17) over 2 years ago, I was blown away but the built quality. During last 2 years I’ve used Gini rigs for everything from live events and documentaries to short films and music videos. So have I changed my opinion about the quality in 2 years? Is it true that, cheap price means bad quality? How reliable are these rigs? Let me share my thoughts with you.
I bought this Extreme 17 rig on special offer directly from the old Gini website. It cost me just $400 plus postage costs and customs charges, which is amazing price. Something similar from likes of Zacuto would cost over 2000$. I’m sure the Zacuto is a top quality brand, but for that price, is it so much better? I’m not so sure. With the big brands you pay for the name as well as the quality. I’m not saying the quality is not there, but if you know me, I’m all about value for money and I truly believe that I’m getting better value for money with something like Gini.
I absolutely love this rig and you can see my detailed look at every single part of the rig above. The highlights for me are the handles and the shoulder pad, which make this rig an absolute pleasure to use.
What I don’t like about this rig? To be perfectly honest, there is literally nothing that I don’t like about this rig. I don’t like the original base plate (more about it in the video), which I swapped for the older one I had on my first Gini rig, but otherwise it’s great.
How reliable is it? I didn’t have a single problem with this rig so far; the built quality really is great and answering to my own question above: Cheap price doesn’t mean bad quality.
How comfortable is it? As far as shoulder rigs go, this is great. It feels like a proper rig, it looks amazing. I’ve had so many great comments from people seeing my rig on the shoots. It’s great for getting steady handheld shots with DSLRs, which themselves are not very good cameras for hand-held work. You can evem get decent shots even when walking (see the example in the video). Obviously it’s not as smooth as steadicam, but weight of the rig adds a lot of stability to the shots. You simply can’t shake it as quickly as the camera on it’s own. It’s heavy, but a great shoulder pad and decent balance means that you can have it on your shoulder for a long period of time without getting crazy tired. It’s particularly good for films, music videos, creative work especially if you want to use a follow focus, matte box and other accessories. Such rings are great for this kind of shooting. For documentary or run&gun work it’s a bit too large, heavy and just no necessary. Something like a cheap cowboy rig will do just fine for run&gun work.
So should you buy this rig? It all depends on what kind of work you do. It’s great to look cool with a large shoulder rig, but if it makes your life more difficult and you’re not taking a full advantage of its capabilities, then there is no point to use it. If you’re on other hand want/need to use a follow focus, matte box and other 15mm rod compatible accessories while shooting handheld, this rig is probably one of the best budget shoulder rigs out there.
Little note: I'm not in any way associated with GINI, ...which is a shame because these are really nice rigs and I would to have them all :)
Click to see the this item on www.ginirigs.com
Original EXTREME 17 on www.ginirigs.com (at the time of writing can't find any on the main ebay gini page)
This is what was suppose to be a quick comparison video between my Gini and Trusmt cages. I must say since I bought my one, Gini have changed their cages a bit, so it's not the same any more.
More importantly, the prices have chanced since I bough my cages. The price of Gini went up and the price of Trusmt went down to the point where some cages Gini lists on eBay are more expensive than the Trusmt Ultimate (the one with HDMI clamp) which is $330/£204. You can snap it up even cheaper if you are willing to bid and wait to see if you win it.
Gini cages are now generally listed with higher "buy it now" price, altough the "best offer" option does provide some hope. Gini used to accept offers of 20-30% off the listed price. I don't know that is till the case.
Overall, with all the price changes I think Trusmt is definitely a winner in this comparison, unless you are using a DSLR that will not benefit from its great features.
Couple of months ago i-Cuff sent me one of their unique eyecups designed to improve the experience of using a viewfinder on camcorders or DSLRs (LCD viewfinder).
A lot of filmmakers love to use their Zacuto, CarrySpeed, LCDVF and other viewfinders on their DSLRs. Some literally don’t shoot without them. People who use ENG style cameras only really ever use viewfinders as it’s the only way of operating the camera properly.
I don’t use viewfinders when I don’t have to, just not my thing. One time though, when I just can’t shoot without a viewfinder even now is when I shoot outside. Even on an overcast day, it helps, on a sunny day it’s literally impossible to shoot properly without one.
When I first received the i-cuff, I thought that is must be a bit of an unnecessary gimmick, but after using it for a couple of times, especially in a cold weather I changed my mind completely. I mostly use a cheap LCD viewfinder on my 5D and a Zacuto EVF. Both have rubber hoods/eyecups which seemed to be are ok, until I tried the i-cuff.
Unlike the rubber eyecups, i-cuff is made of fabric, which is washable, waterproof and works well both with and without glasses. I don’t wear glasses, but I could see how i-cuff could really improve the viewing experience. It wraps around the face much better and you don’t have to press yourself firmly against the viewfinder, which would be very uncomfortable with a common rubber eyecup. Made out breathable fabric it also reduces fogging which is also a common problem with viewfinders.
The most impressive thing for me is how i-cuff feels against my face in cold winter conditions. For comparison I first pressed my face against the rubber eyecup and then placed the i-cuff on top of it. The difference was massive, rubber gets really cold and very unpleasant in cold conditions; i-cuff though just doesn’t feel as cold, due to it’s soft fabric around the edge that touches the face. It really makes me want to use it every time I shoot outside.
It’s one of them simple accessories that actually make a lot of difference.
i-Cuff comes in 3 sizes, DV, HD, & PRO depending on the camera you use. The smaller one is just $29.95 and the other 2 are $45, so there is literally no excuse not to get one if use viewfinders a lot.
You can check out more info and to order one yourself visit: www.i-cuff.com
I’ve just started a new Lens Giveaway on my second the website. www.vintagelensesforvideo.com so make sure that swing over there and enter to be in with the chance of winning a great Tamron 24-48mm wide zoom lens.
I finally have created a dedicated studio style setup for my reviews and other videos. If you like the look that I achieved in the above video, you’ll find this blog post very useful. All the links to the products in this guide are marked in red colour and also can all be found together at the bottom of the post.
My goal was to achieve a minimalistic, low-key look with a soft, but interesting lighting that would make me and the objects I have on the table really stand out from the background. More importantly the task was to achieve the look at the lowest budget possible. Lucky for me I had most of the things I needed already, but I will share some options with you to help you create similar setup.
Disclaimer (could be boring): You can find the items I’ve used both on Amazon and on Ebay and some even in your local hardware store, but for this guide I will use Amazon links. If you will buy anything that I’ve included in this guide through my links, a small percentage of sale will go my way. This way you’ll be able to help me run the website and produce more useful content by buying what you need. It will not cost you a penny more to buy them through my links, in fact I try to find the best deals, so if anything it will cost you less.
So back to this guide:
First of is a monitor, which is not essential, but is very useful. As I mentioned in the video I used an old Liliput monitor. I generally like Liliput Monitors and have 2 myself.
A similar to one I’ve used only costs just under $170. To be honest I’m not a big fan of the particular model, but it more than suitable for this sort of project.
If you don’t have an HDMI monitor yet and want one for everything I would advice going for 5D-II/O/P model, which works great with DSLRs, has peeking, zebras, false color and even a histogram, all for just under $270. Now this is a great deal.
Next up we have a backdrop. There are loads of options for backdrops, starting from under $20. The size that I have costs just under $18. 6x10 works great for me and will work fine for anyone wanting a similar framing.
I’ve already had some light stands, anything up to 6ft high will do the . If you have them already, then you will only need to buy an extending cross bar for the stands. The cheapest I found is $20.
If you don’t have any stands yet, then it’s worth buying a complete backdrop support instead. It will work out cheaper than buying the stand and a cross bar separately. The cheapest backdrop support I found is just under $35.
To secure the backdrop well, just get some cheap plastic clamps, which run for under $5 for a set of 6.
Now you need some back lights. There are plenty of options on Amazon. I even found the light I’m using for my setup. It’s a Smith-Victor KT-500U kit (2x250w lights). There are plenty of other alternatives too (see below), all costing just around $100.
Moving no to the key light. For my setup I’m using a Camtree BeamLite 72 Flood because it’s quite powerful and I have it already. To achieve similar soft lighting you don’t have to get the same light and a diffuser. As an alternative would recommend one of many fluorescent softbox lights. The choice for these is massive, but I would recommend going for something more powerful, definitely no less than 1000w. One of the best deals that I found is ePhoto 2000w light kit, which comes together with 2 heads, 2 stands, 2 saltboxes, 10 bulbs and even a carry case for the stands. All this for under $130 is pretty amazing considering that 3 times less powerful kit for the back light costs nearly the same. Here is another alternative for just over $100.
This is about all you need to create this complete setup, assuming you already have some soft of table, chair if you like to sit and obviously a camera.
The whole thing should cost you more than $500 and these are the things that you will be able these for you other projects, especially the lights and the monitor. The actual backdrop support and the cloth is no more than $50, so definitely something worth investing into is you are after a similar look.
I hope this guide was useful to you guys. Any questions, feel free to ask.
The Proaim Studio Jib is my current weapon of choice when it comes to them jib shots on my productions. Very useful, portably addition to my arsenal. I’ve be using it a lot for wedding videos and hope to use it more on music videos and films.
This jib is my first Proiam product I even got. I used to be a bit sceptical about Proiam, but it turned out just fine, everything works as it should, nothing is broken, so all good, really happy with the investment. I think Jibs, Sliders, Dollies, Stabilizers are some of the best filmmaking tools available and are really worth investing into because the take any video production to the next level.
I’ve signed up for affiliate program on Cinecity.com which is available to everyone (same as Amazon affiliate) and if you’re thinking about buying this jib, please use my link to buy it (directly from cinecity). It will not cost you more, but a little bit will go my way and will help me run the site and do more of similar reviews.
To celebrate my new website, vintagelensesforvideo.com, I’m doing a biggest lens giveaway so far, giving away 6 lenses, so the chance of winning is better than ever!
The lenses I’m giving away are Helios 58mm f/2 primes. They are great for low light and archiving a very nice, shallow depth of field and beautiful, dreamy flares. I’ve tested these lenses and I was really impressed with the performance, in fact it’s currently one of my favourite budget lenses. You can check out the test videos on my youtube channel if you haven’t done it already.
To find out more about more and enter the giveaway, visit just clear here or head over to vintagelensesforvideo.com
The review above is quite long and detailed so there isn’t much I can add.
It’s not too short, not too long, it’s portable enough, it can be fast, it can be slow, it’s easy to use and it makes perfect sense for me.
I’ve only just stated using this slider and there are so many new possibilities that have opened up to me, so more footage shot with this slider is yet to come.
I’ve been looking for such slider for a long time now and I will definitely be keeping this one for years to come.
At this price, I don’t think there is any real competition, not to say that there won’t be in future. We are living in a great time for independent filmmakers. The quality and features keep growing and the prices keep dropping. Amazing times!
Click to Find This Item on eBay
This follow focus is quite unique thanks to its flexible L shaped bracket. The only similar follow focus that I know is the D-focus, which doesn’t really offer anything more than this RJ unit. I wanted to try it just to see how it would feel and I was impressed with the size and feel of the whole setup. To me the gearbox of my particular unit is a bit disappointing, but as I said in the video, the gearbox performance varies; so some of you might have better luck with it.
I bought mine a while ago and while I was looking up the ebay link for this write-up, I found out that this FF now comes with both L-shaped bracket and the standard 15mm rod fitting mount, which is absolutely amazing. No other FF offers you both mounting options, although the L-shaped adapter could be adapter to many other FFs. Someone should start selling them separately.
Anyway, if you’re about to buy your first follow focus and don’t yet have your 15mm rod setup, I think this FF could be the one to go for. When you decided to buy your 15mm rod system you’ll still be able to use this FFs with it, which is very cool.
If this FF is not for you, check out the Follow Focus Buyers Guide for more options.
Click to view this item on eBay